Notes related to Contemporary art

The exhibition in New York will feature more than 50 works from the 1970s to the present, including an installation commissioned from Mexican artist Pablo Helguera.

Grand Palais, Paris

The Galician institution presents a proposal that connects the practices of Macchi, Ježik and Hernández with those of Alberto Ardid, bringing together critical strategies that engage with the construction of contemporaneity through media language and visual culture.

Alba Triana at Aluna Art Foundation, Miami

Art Basel in Basel remains the centerpiece of one of the most intense weeks in the international art calendar. While dozens of exhibitions, events, and satellite fairs take place across the city, the fair itself continues to set the tone for the market and offers a valuable opportunity to gauge both collector sentiment and broader trends in contemporary art.

Interview with Nuria Enguita, Artistic Director, MAC/CCB – Museum of Contemporary Art and Architecture Centre (Museu de Arte Contemporânea e Centro de Arquitetura), Lisbon.

Meridiano's program brings together this weekend — June 4, 5 and 6 — a tour of galleries in San Telmo, Microcentro, La Boca, Villa Crespo and Retiro. The circuit offers an active reading of local contemporary art.

The Buenos Aires artist has turned the prestigious French building into his new stage: climbable structures, houses suspended in mid-air, and impossible staircases, through September 6.

The exhibition Antenas al vacío revisits the work of the Mexican artist and expands into a book that addresses contemporary art, experimental cinema, and Latin American visual thought.

The museum explores the construction of the region’s identity through a major group exhibition and solo presentations by Jesús Soto, Damián Ortega, Sandra Gamarra, La Chola Poblete, among other artists.

Youth, performance, and permanence: Argentina’s most important art fair has opened at Centro Costa Salguero and will run until August 31.

By Violeta Lozada

The Armory Show 2025 returns to the Javits Center in New York, reaffirming its status as one of the most influential events in modern and contemporary art since nineteen ninety-four. Every year, the fair brings together leading international galleries to showcase innovative works, with a strong focus on curatorial excellence, engaging public programming, and bold artistic activations.

The contemporary art fair organized by gallerists opens to the public in Buenos Aires’ renovated downtown featuring “resident” and “guest” galleries as well as international participants.

Now in its 20th edition, the competition invites artists and designers of all nationalities and artistic backgrounds to participate for cash prizes, international residencies, and the opportunity to exhibit at the Arsenale Nord in Venice in 2026. Application deadline: September 10, 2025.

The interdisciplinary art center located in New York presents work shaped by the experience of relating to the foreign in order to build a unique identity.

The Museum of America is hosting an exhibition of paintings by Juan Carlos Santoscoy (Guadalajara, Mexico, 1973) in its La Tapada gallery, open until the end of the month. Titled Algoritmos del caos (Algorithms of Chaos), the show features a selection of the artist’s most recent large-scale works, which engage with pressing themes in contemporary art such as global warming and the overexploitation of natural resources.

Americas Society presents Amazonia Açu, an exhibition that explores the cultural, historical, and spiritual diversity of the Pan-Amazon region through contemporary and Indigenous perspectives.

The Museum of Modern Art will host the most extensive retrospective devoted to the artist in the United States, on view at MoMA from November 10, 2025, through March 28, 2026.

The Chilean gallery Casa Varas hosts Lincura’s provocative proposal: a new way of looking at the “exotic” —and a new way of looking into the mirror.

MARCO, the Museum of Contemporary Art in Vigo, presents Savia y sangre (Sap and Blood), a solo exhibition by Laura Lio (Buenos Aires, Argentina, 1967), which reveals the artist’s social vision and commitment through her work. Lio's practice involves a meticulous observation of certain organic and natural processes in search of a kind of internal order. With a poetic approach, the Argentine artist based in Spain challenges this natural structure through visual language and words.

Fragmenting Obsolescence. Silent Spring explores new ways of observing matter and time, objects and their durability, and the relationship between extinction and obsolescence.

The Gulbenkian Modern Art Center in Lisbon presents Entre os vossos dentes (Between Your Teeth), an exhibition showcasing 80 works by Adriana Varejão (Rio de Janeiro, Brazil, 1964) and Paula Rego (Lisbon, Portugal, 1935 – London, United Kingdom, 2022), reflecting the production, themes, and interpretations of these two artists from different generations.

From different disciplines and territories, the invited artists propose the Biennial as a space of crossing, listening, and shared transformation.

Pinta Asunción Art Week, formerly known as Pinta Sud | ASU, will take place this year from September 10 to 13, marking its fourth edition. With its extensive contemporary art and cultural programming spread across the city, the event invites attendees to discover an ever-growing artistic scene alongside Paraguay’s unique cultural, culinary, and tourism traditions.

What does it mean to be hospitable, make alliances, or navigate conflict in the sphere of contemporary art? Five European nonprofit art spaces—La Escocesa, OFF-Biennale, < rotor >, Shtatëmbëdhjetë (17), and tranzit.cz—present a new publication for cultural workers, curators, and artists, that seeks to answer these questions.

The Andalusian Center of Contemporary Art (CAAC) presents Sensemayá. Cánticos para matar a la Culebra (Sensemaya. Chants to kill the snake), the first solo institutional exhibition in Spain by Claribel Calderius (Havana, Cuba, 1986). Conceived specifically for the San Bruno Chapel, the project is a site-specific intervention that draws on the space’s historical and spiritual resonance—qualities that align seamlessly with the symbolic universe of the Cuban artist.

Gonzalo García Callegari presents his twentieth solo exhibition at the Inca Garcilaso Cultural Center in Lima. In the wake of Peru’s bicentennial of independence, he invites us—with his signature dark humor—to question the unfinished ideals of national emancipation.

From June 6 to 8, 2025, the interdisciplinary festival Once We Were Trees, Now We Are Birds will take place at Kunsthaus ACUD in Berlin. Organized by the Goethe-Institut in Exile in cooperation with the Martin Roth-Initiative, the festival showcases artistic perspectives on migration, belonging, and transformation. It complements the exhibition of the same name, on view at the ifa Gallery Berlin until June  8, 2025.

Inspired by the visionary spirit of Walter and Nicole Leblanc, the Foundation launches a new programme of exhibitions, residencies, and events, reaffirming its commitment to artistic inquiry, international dialogue, and critical engagement with the urgencies of our time.

The artist and the gallerist were drinking mate on Fleming Avenue in Martínez, in front of the gallery, trying to hold onto the warmth of a cool autumn sun. That simple, everyday, and sincere image foreshadowed the exhibition at Departamento 112.